Art &amp; Art History News /artandarthistory/ en News, May 6, 2025 /artandarthistory/newsletter/newsletter/news-may-6-2025 <span>News, May 6, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-05-06T08:49:55-06:00" title="Tuesday, May 6, 2025 - 08:49">Tue, 05/06/2025 - 08:49</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Art &amp; Art History Department Commencement</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-29%20at%2010.48.28%E2%80%AFAM.png?itok=h5KQ98qa" width="1500" height="853" alt="Art &amp; Art History students graduating"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Friday, May 9th from 10-11:30 AM</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <hr><h3><strong>Attention Graduates</strong></h3><p><strong>9:30 AM — Arrive Early! </strong><span>It is highly recommended that you use alternative modes of transportation to get to campus, as parking will be extremely difficult both on and off campus.</span></p><p><strong>Check-in Table:</strong><br>Please check in at the tent located at the VAC upon your arrival.</p><p><strong>Walking in the Procession:</strong><br>Graduates are required to complete a commencement walk card. This card serves as identification during the ceremony, specifically when you walk across the stage to receive your diploma.</p><div><strong>Photography:</strong></div><div>We will have a photographer take individual photos of all grads during and after the ceremony.</div><div>&nbsp;</div><div><strong>Commencement Program:</strong><br>If a graduate formally applied to graduate in the system (via their portal) for Spring or Summer 2025, their name will be included in the official commencement program. If, for some reason, a graduate's name is missing from the program, please contact jean.goldstein@colorado.edu, and we can add the name and provide a copy.</div><div>&nbsp;</div><div><strong>Contact:</strong></div><div>Any questions, contact jean.goldstein@colorado.edu&nbsp;<br>&nbsp;</div><hr><h3>Attention Graduate's Family &amp; Friends</h3><p><strong>Location:</strong> Visual Arts Complex Plaza Commencement for graduates, family and friends</p><p><strong>Attendance:</strong><br>No RSVP is required to attend the ceremony.</p><p><strong>Arrive early!</strong><br>It is highly recommended that you park off campus. Traffic in and around Boulder will be extremely difficult to navigate. Please consider taking the bus or walking to campus.</p><p><strong>Seating:</strong><br>All graduates have reserved seating located in the first rows nearest the stage. Friends and family members can find open seating past the reserved area on a first-come, first-served basis.</p><p>Enjoy a complimentary coffee/tea bar and snacks before the ceremony begins.</p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 06 May 2025 14:49:55 +0000 Kirsten Stoltz 1410 at /artandarthistory News, April 29, 2025 /artandarthistory/newsletter/newsletter/news-april-29-2025 <span>News, April 29, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-29T10:10:04-06:00" title="Tuesday, April 29, 2025 - 10:10">Tue, 04/29/2025 - 10:10</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/thumbnail_image001.png?itok=2d_RiFPg" width="1500" height="738" alt="BFA toast"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>BFA Thesis Exhibition—Opens Friday!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>TOAST</span><br><span>BFA Exhibition 2025</span></p><p><span>May 2-May 11</span><br><span>Visual Arts Complex</span><br><span>Opening at 4-6 PM on May 2nd</span></p><p><span>Featuring: Emma Abrahams, Neb Berry,&nbsp;Courtney Conrad, Nicole Sansglyph, Izzy Holsman, Aaron Jensen, Jordan Longley, smak, Ashley McCuller, Alice Neild, Annie Oberlies, Claire Shiely, Devin Sula, and Iris Yu.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Noli%20me%20tangere%20%28still%29.png?itok=iR3Z1dmX" width="1500" height="844" alt="Film MFA image"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Graduate Student Film Screening on Saturday!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <div><strong>2025 CU Boulder Cinema Studies &amp; Moving Image Arts</strong></div><div>Graduate Student Showcase</div><div><br>Saturday, May 3rd<br>7 pm ATLAS 102</div><div><br>Featuring the work of: Allison Radomski, Devon Narine-Singh, Mahda Purmehdi, Cal Young, Sierra Grove, Alejandra Saldivar</div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-29%20at%2010.26.36%E2%80%AFAM.png?itok=ThsdveI_" width="1500" height="2046" alt="Alejandra screen"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>MFA Thesis Exhibition at CU Art Museum</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p>Don't miss seeing the MFA Thesis Exhibition (group 2) at the CU Art Museum!</p><h4><strong>Featuring: Emily Moyer, Alejandra Saldivar, Ana González Barragán, Hannah Purvis</strong></h4><p>CU Art Museum (1085 18th Street, CU Boulder campus)<br>Exhibition dates: April 26-May 10, 2025</p><p class="small-text">(Image: Alejandra Salvidvar)</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-29%20at%2010.48.28%E2%80%AFAM.png?itok=h5KQ98qa" width="1500" height="853" alt="Art &amp; Art History students graduating"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>Art &amp; Art History Department Graduation</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <p><span>Friday, May 9th from 10-11:30 AM&nbsp;</span><br><span>Visual Arts Complex plaza&nbsp;</span></p><p><span>Reserved seats for all registered graduates, open seating for all families and friends.</span></p><p><span>Please contact Jean Goldstein with any questions or concerns (jean.goldstein@colorado.edu)</span></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/image001%20%282%29.jpg?itok=seiUCkdY" width="1500" height="1875" alt="Anna Tsouhlarakis"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Anna Tsouhlarakis</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>On April 24–27, 2025, Anna Tsouhlarakis had an installation that was part of EXPO CHICAGO Contemporary Art Fair with The Center for Native Futures, a Chicago-based gallery. Anna’s installation was featured in a review of the art fair by The Art Newspaper.</span></p><p><a href="https://www.theartnewspaper.com/2025/04/25/expo-chicago-opening-sales-fearless-collectors" rel="nofollow"><span>Link to more information</span></a></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Student News</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-04/Screenshot%202025-04-29%20at%2011.23.46%E2%80%AFAM.png?h=7ec1dbe2&amp;itok=OyS276Zm" alt="Felicity Wong"> </div> <h3> <div>Felicity Wong is awarded a MoMA Summer Internship</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p><span>This summer our Art History grad Felicity Wong will be assisting curators in the Painting and Sculpture department at the Museum of Modern Art with final-stage research and preparations for the October opening of </span><em>Ruth Asawa: Retrospective</em><span>.&nbsp;</span></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 29 Apr 2025 16:10:04 +0000 Kirsten Stoltz 1409 at /artandarthistory News, April 22, 2025 /artandarthistory/newsletter/newsletter/news-april-22-2025-0 <span>News, April 22, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-22T14:16:01-06:00" title="Tuesday, April 22, 2025 - 14:16">Tue, 04/22/2025 - 14:16</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-22%20at%202.19.13%E2%80%AFPM.png?itok=cMiagoln" width="1500" height="718" alt="Hannah Purvis"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>MFA Thesis Exhibition (group 2) opens this week!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p>Group 2: Spring 2025</p><h4><strong>Emily Moyer, Alejandra Saldivar, Ana González Barragán, Hannah Purvis</strong></h4><p>Opening Reception: Friday, April 25th, 4-6 PM</p><p>CU Art Museum (1085 18th Street, CU Boulder campus)<br>Exhibition dates: April 26-May 10, 2025</p><p>(Image: Hannah Purvis)</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/fall_catalog_img1%5B23%5D.jpg?itok=F068iMj3" width="1500" height="1000" alt="BMoCA exhibit"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>MFA Grad Seminar exhibition at BMoCA</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <div><span>Works will be on view:&nbsp;</span></div><div><span><strong>Wednesday, April 23rd and Thursday, April 24th</strong></span></div><div><span><strong>Closing reception from 4-6 on April 24th</strong></span></div><div>&nbsp;</div><div><em><strong>Time and Attention</strong></em><span> is a series of ephemeral projects responding to BMoCA as site.&nbsp;Projects include miniature worlds installed in vacated electrical wiring spaces, performances exploring artistic process and the museum, augmented reality drawings, and interactive works inviting viewers to explain themselves without words.</span></div><p><span>MFA students from CU’s Department of Art and Art History developed the work in a graduate seminar, </span><em>Time and Attention</em><span>, taught by Professor Jeanne Quinn and Roser Visiting Artist Julie Poitras Santos.&nbsp;Artists in the exhibition are Abi Bernstein, Maya Buffett-Davis, Ethan Cherry, Annaliese Cole-Weiss, Tenaya DeWitt, and Andrea Garcia Vasquez.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Noli%20me%20tangere%20%28still%29.png?itok=iR3Z1dmX" width="1500" height="844" alt="Film MFA image"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Graduate Student Showcase</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <div><strong>2025 CU Boulder Cinema Studies &amp; Moving Image Arts</strong></div><div>Graduate Student Showcase</div><div><br>Saturday, May 3rd<br>7 pm ATLAS 102</div><div><br>Featuring the work of:</div><div>Allison Radomski</div><div>Devon Narine-Singh</div><div>Mahda Purmehdi</div><div>Cal Young</div><div>Sierra Grove</div><div>Alejandra Saldivar</div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/thumbnail_image001.png?itok=2d_RiFPg" width="1500" height="738" alt="BFA toast"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>BFA Thesis Exhibition, Spring 2025</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <p><span>TOAST</span><br><span>BFA Exhibition 2025</span></p><p><span>May 2-May 11</span><br><span>Visual Arts Complex</span><br><span>Opening at 4-6 PM on May 2nd</span></p><p><span>Featuring: Emma Abrahams, Neb Berry, Courtney Conrad, Nicole Sansglyph, Izzy Holsman, Aaron Jensen, Jordan Longley, Sarah Smak, Ashley McCuller, Alice Neild, Annie Oberlies, Claire Shiely, Devin Sula, and Iris Yu.</span></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Classes with Open Seats!</div> </h2> <div class="row row-content"> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-04/thumbnail_image0.jpg?h=2044b971&amp;itok=pOuca8e8" alt="Melanie Yazzie artwork"> </div> <h3> <div>Maymester Printmaking Classes!</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <div>New section of beginning screenprint offered for Maymester! Other sections still haves spaces open as well!! Sign up today.</div><div>&nbsp;</div><ul><li><div>ARTS 2424 Beginning Screenprint</div></li><li><div>ARTS 3423 Screenprint 1</div></li><li><div>ARTS 4423 Screenprint 2 and</div></li><li><div>ARTS 5423 Graduate Screenprint</div></li></ul><div><strong>Session:</strong>&nbsp;Boulder Maymester/3 Weeks</div><div><div><strong>Dates:</strong>&nbsp;<span dir="ltr">2025-05-12 through 2025-05-30</span></div><div>Professor: Melanie Yazzie</div></div> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-04/File.jpeg?h=e5565190&amp;itok=mdQ1h_J5" alt="FIELD SCHOOL"> </div> <h3> <div>Art &amp; Environments Field School</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--1"> <p><strong>Now Enrolling: Art &amp; Environments Field School (ARTS 4444/5444)</strong><br>Field session: May 19-June 6, 2025</p><p><a href="https://www.ruralenvironments.org/" rel="nofollow">LINK TO MORE INFORMATION ABOUT FIELD SCHOOL</a></p><p><span>The Field School is a 6-credit, 6-week intensive field arts program available each summer. The structure is 3-weeks of on-site fieldwork followed by 3-weeks of asynchronous online work and reflection. The program puts students in touch with various landscapes and is focused on teaching site and context-based approaches to art creation. The Field School is designed as an experiential course, meaning that students learn about places and context through being in the field and making artwork on-site. While living and working in the field, students create and discuss various art-making approaches with environments such as prairies, forests and waterways. Students may explore many mediums including: writing, photography, sculpture, drawing and video and sound recording.</span></p><p><span>Topics that are discussed and of which students work with in for this course are: nature and process; ecology; conservation; highways and byways; non-urban phenomenology; climate change; borderlands; pastoralism; wayfaring; waterways; pilgrimages; colonialism; ownership and identity; agriculture; idealized and ignored landscapes; and geomorphology. The 2025 session will travel to the San Luis Valley and Western Slope of bet365 malaysia, finishing with an exhibition at the Mountain Research Station near Nederland. Please note this course is off-campus and a signed university waiver and active health insurance is required.</span></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 22 Apr 2025 20:16:01 +0000 Kirsten Stoltz 1408 at /artandarthistory News, April 22, 2025 /artandarthistory/newsletter/newsletter/news-april-22-2025 <span>News, April 22, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-22T14:16:01-06:00" title="Tuesday, April 22, 2025 - 14:16">Tue, 04/22/2025 - 14:16</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-22%20at%202.19.13%E2%80%AFPM.png?itok=cMiagoln" width="1500" height="718" alt="Hannah Purvis"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>MFA Thesis Exhibition (group 2) opens this week!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p>Group 2: Spring 2025</p><h4><strong>Emily Moyer, Alejandra Saldivar, Ana González Barragán, Hannah Purvis</strong></h4><p>Opening Reception: Friday, April 25th, 4-6 PM</p><p>CU Art Museum (1085 18th Street, CU Boulder campus)<br>Exhibition dates: April 26-May 10, 2025</p><p>(Image: Hannah Purvis)</p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 22 Apr 2025 20:16:01 +0000 Kirsten Stoltz 1407 at /artandarthistory April 15, 2025 /artandarthistory/newsletter/newsletter/april-15-2025 <span>April 15, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-15T08:56:07-06:00" title="Tuesday, April 15, 2025 - 08:56">Tue, 04/15/2025 - 08:56</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Slide1.jpg?itok=vpS5rooB" width="1500" height="625" alt="Grad showcase image"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Art History Thesis Showcase — Opens Today!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span>Join us for a reception on </span><strong>Tuesday, April 15 from 3:30-5:00pm </strong><span>for the Art History Thesis Showcase exhibition in the VAC first-floor lobby. Please help us celebrate the accomplishments of participating graduate students Brittany Ashley, Sam Hensley, and Taite Shomo. Come support our Art History grads, enjoy delicious refreshments, and learn a bit about their fascinating research.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/placeholder_image_2.jpg?itok=hHI9Wd9a" width="1500" height="1061" alt="Marina Kassianidou"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>MFA Grad Seminar exhibition at East Window Gallery—Opening Event Tonight!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <div><em><strong>Aspects of Touching</strong></em><br>&nbsp;</div><div>A two-day group exhibition at East Window Gallery in Boulder featuring seven artist’s books completed as part of the Graduate Drawing &amp; Painting Seminar in the Department of Art and Art History at the bet365 malaysia. The seminar&nbsp;revolved around artist’s&nbsp;books and publishing as an artistic practice. We&nbsp;approached the notions of “book” and “publishing” in an open-ended manner by placing them in conversation with other artistic practices.&nbsp;The books presented in the exhibition explore aspects of remembering, preserving, imagining, transforming, translating, scrolling, and assembling.</div><div>&nbsp;</div><div>Artists: Andrea Caretto, Ethan Cherry, Brionna Garcia, Cesar Herrejon, Emily Moyer, Luis E. Perez, Hannah Purvis</div><div>Mentor: Marina Kassianidou</div><div>Location: East Window</div><div>Duration: April 14 - 15, 4:30 - 7:30 pm</div><div><strong>Reception: Tuesday, April 15, 7-9 pm</strong></div><div><a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Feastwindow.org%2F2025&amp;data=05%7C02%7CKirsten.Stoltz%40bet365 malaysia.EDU%7C29e09b224ad1405eaa2d08dd73e3eec4%7C3ded8b1b070d462982e4c0b019f46057%7C1%7C0%7C638794145002490500%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=MvghTsUAeFYDt21Q8v1gWA8qmQ%2Fh76h2sEd%2FsFlvzpU%3D&amp;reserved=0" rel="nofollow">https://eastwindow.org/2025</a></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/SFAR2020011h-1000.jpg?itok=JQPys7se" width="1500" height="1241" alt="Sharif Farrag"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Sharif Farrag: Visiting Artist Lecture Series</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><span><strong>Monday, April 21, 2025 at 4:00 pm</strong></span><br><span>Visual Arts Complex Auditorium (located on the lower-level), RM 1B20</span></p><p>Sharif Farrag merges classic ceramics styles with his own improvisational building techniques, representing his hybrid identities through clay. Farrag received a BFA from the University of Southern California in 2018 and is currently an MFA candidate in ceramics at the University of California, Los Angeles. He was an artist in residence at Cal State Long Beach’s Center for Contemporary Ceramics from 2018 to 2020, and in 2019, he was awarded a residency at the Skowhegan School of Painting and Sculpture.</p><p>He has had several solo exhibitions at Los Angeles galleries, including François Ghebaly, in lieu, New Image Art, and gallery1993. His work has also been featured in group exhibitions at Jeffrey Deitch, New York; the 2020 Clay Biennial at Craft Contemporary, Los Angeles; Adams and Ollman, Portland; High Art, Arles; and Matthew Brown, Los Angeles. He is included in the collections of the Museum of Arts and Design, New York, and the Rubell Museum in Miami. Farrag lives and works in Los Angeles.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/fall_catalog_img1%5B23%5D.jpg?itok=F068iMj3" width="1500" height="1000" alt="BMoCA exhibit"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>MFA Grad Seminar exhibition at BMoCA</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <div><div><em><strong>Time and Attention</strong></em><span> is a series of ephemeral projects responding to BMoCA as site.&nbsp;Projects include miniature worlds installed in vacated electrical wiring spaces, performances exploring artistic process and the museum, augmented reality drawings, and interactive works inviting viewers to explain themselves without words.</span></div><p><span>MFA students from CU’s Department of Art and Art History developed the work in a graduate seminar, </span><em>Time and Attention</em><span>, taught by Professor Jeanne Quinn and Roser Visiting Artist Julie Poitras Santos.&nbsp;Artists in the exhibition are Abi Bernstein, Maya Buffett-Davis, Ethan Cherry, Annaliese Cole-Weiss, Tenaya DeWitt, and Andrea Garcia Vasquez.</span></p><p><span><strong>Works will be on view on Wednesday, April 23 and Thursday, April 24, with a closing reception from 4-6 on April 24th.</strong></span></p></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-4" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-15%20at%209.10.53%E2%80%AFAM.png?itok=fbsv7qNz" width="1500" height="995" alt="Ana Gonzalez artwork"> </div> </div> </div> <div id="feature-article-user-title-4"> <h3> <div>MFA Thesis Exhibition, Group 2 opening</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-4"> <p>Group 2: Spring 2025</p><h4><strong>Emily Moyer, Alejandra Saldivar, Ana González Barragán, Hannah Purvis</strong></h4><p>Opening Reception: Friday, April 25th, 4-6 PM</p><p>CU Art Museum (1085 18th Street, CU Boulder campus)<br>Exhibition dates: April 26-May 10, 2025</p><p>(Image: Ana González Barragán)</p><hr><p><strong>Currently on view at CU Art Museum: MFA Thesis Exhibition, Group 1</strong><br>Exhibition runs through April 17th<br>Andrea Caretto, Sierra Grove, Asa Mease</p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Department Announcements</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/thumbnail_image0.jpg?itok=5ltLXtSj" width="1500" height="1932" alt="Melanie Yazzie artwork"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Maymester Printmaking Classes!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div dir="ltr"><div><div>New section of beginning screenprint offered for Maymester! Other sections still haves spaces open as well!! Sign up today.</div><div>&nbsp;</div><ul><li><div>ARTS 2424 Beginning Screenprint</div></li><li><div>ARTS 3423 Screenprint 1</div></li><li><div>ARTS 4423 Screenprint 2 and</div></li><li><div>ARTS 5423 Graduate Screenprint</div></li></ul><div><strong>Session:</strong>&nbsp;Boulder Maymester/3 Weeks</div><div><div><strong>Dates:</strong>&nbsp;<span dir="ltr">2025-05-12 through 2025-05-30</span></div><div>Professor: Melanie Yazzi</div></div></div></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/File.jpeg?itok=5K8Lvtfw" width="1500" height="1000" alt="FIELD SCHOOL"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Art &amp; Environments Field School</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><strong>Now Enrolling: Art &amp; Environments Field School (ARTS 4444/5444)</strong><br>Field session: May 19-June 6, 2025</p><p><a href="https://www.ruralenvironments.org/" rel="nofollow">LINK TO MORE INFORMATION ABOUT FIELD SCHOOL</a></p><p><span>The Field School is a 6-credit, 6-week intensive field arts program available each summer. The structure is 3-weeks of on-site fieldwork followed by 3-weeks of asynchronous online work and reflection. The program puts students in touch with various landscapes and is focused on teaching site and context-based approaches to art creation. The Field School is designed as an experiential course, meaning that students learn about places and context through being in the field and making artwork on-site. While living and working in the field, students create and discuss various art-making approaches with environments such as prairies, forests and waterways. Students may explore many mediums including: writing, photography, sculpture, drawing and video and sound recording.</span></p><p><span>Topics that are discussed and of which students work with in for this course are: nature and process; ecology; conservation; highways and byways; non-urban phenomenology; climate change; borderlands; pastoralism; wayfaring; waterways; pilgrimages; colonialism; ownership and identity; agriculture; idealized and ignored landscapes; and geomorphology. The 2025 session will travel to the San Luis Valley and Western Slope of bet365 malaysia, finishing with an exhibition at the Mountain Research Station near Nederland. Please note this course is off-campus and a signed university waiver and active health insurance is required.</span></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-04/Screenshot%202025-04-15%20at%2010.10.56%E2%80%AFAM.png?h=7d458d5a&amp;itok=rbFXhQF1" alt="Melanie Yazzie"> </div> <h3> <div>Melanie Yazzie, Professor, Printmaking</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p>Recently featured in the Arts &amp; Sciences Magazine.</p><p><em><span><strong>Art and transformation are inherently connected, prof says</strong></span></em></p><p><em><span>For Melanie Yazzie, professor of art practices and head of printmaking in the Department of Art and Art History at the bet365 malaysia, art and transformation are intrinsically connected.</span></em></p><p><a href="/asmagazine/2025/04/08/art-and-transformation-are-inherently-connected-prof-says" rel="nofollow"><span>Read the full article</span></a></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 15 Apr 2025 14:56:07 +0000 Kirsten Stoltz 1405 at /artandarthistory News, April 8, 2025 /artandarthistory/newsletter/newsletter/news-april-8-2025 <span>News, April 8, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-08T13:35:58-06:00" title="Tuesday, April 8, 2025 - 13:35">Tue, 04/08/2025 - 13:35</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-02/Yamamoto%20Monotype.jpg?itok=SPVtWHwH" width="1500" height="797" alt="Yamamoto"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Koichi Yamamoto: Visiting Artist Lecture Series</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span><strong>Monday, April 14, 2025 at 4:00 pm</strong></span><br><span>Visual Arts Complex Auditorium (located on the lower-level), RM 1B20</span></p><p>Koichi’s artworks explore themes of the sublime, atmosphere, and fluid mechanics. His practice spans from meticulous copper engravings to large-scale monotypes with a recent focus on kite-makings.</p><p>His works has been showcased in more than 150 solo and group exhibitions. Most recently, at prestigious venues such as Fondazione Pastificio Cerere in Rome, Italy; B.J. Spoke Gallery in Huntington, New York; Woolwich Contemporary Print Fair in London, United Kingdom; Gallery Shoal Creek in Austin, Texas; Manifest Gallery in Cincinnati, Ohio; and Cartavetra Gallery in Florence, Italy. His artworks have been featured in prominent publications, including Actuel no. 27: L'Estampe Contemporaine in Jodoigne, Belgium; Kunst + Unterricht in München, Germany.</p><p>Koichi studied at the Pacific Northwest College of Art in Portland, Oregon, then moved to Krakow, Poland, and later to the Bratislava Academy of Fine Arts in Slovakia to study copper engravings. He completed his MFA at the University of Alberta, Canada in 1999. He is currently a professor at the University of Tennessee in Knoxville.&nbsp;</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-08%20at%201.47.05%E2%80%AFPM.png?itok=G9phSLiJ" width="1500" height="986" alt="Emily Moyer"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>MFA Thesis Exhibition, Group 2 opening</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p>Group 2: Spring 2025</p><h4><strong>Emily Moyer, Alejandra Saldivar, Ana González Barragán, Hannah Purvis</strong></h4><p>Opening Reception: Friday, April 25th, 4-6 PM</p><p>CU Art Museum (1085 18th Street, CU Boulder campus)<br>Exhibition dates: April 26-May 10, 2025</p><p>(Image: Emily Moyer)</p><hr><p><strong>Currently on view at CU Art Museum: MFA Thesis Exhibition, Group 1</strong><br>Exhibition runs through April 17th<br>Andrea Caretto, Sierra Grove, Asa Mease<br>&nbsp;</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/SFAR2020011h-1000.jpg?itok=JQPys7se" width="1500" height="1241" alt="Sharif Farrag"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Sharif Farrag: Visiting Artist Lecture Series</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><span><strong>Monday, April 21, 2025 at 4:00 pm</strong></span><br><span>Visual Arts Complex Auditorium (located on the lower-level), RM 1B20</span></p><p>Sharif Farrag merges classic ceramics styles with his own improvisational building techniques, representing his hybrid identities through clay. Farrag received a BFA from the University of Southern California in 2018 and is currently an MFA candidate in ceramics at the University of California, Los Angeles. He was an artist in residence at Cal State Long Beach’s Center for Contemporary Ceramics from 2018 to 2020, and in 2019, he was awarded a residency at the Skowhegan School of Painting and Sculpture.</p><p>He has had several solo exhibitions at Los Angeles galleries, including François Ghebaly, in lieu, New Image Art, and gallery1993. His work has also been featured in group exhibitions at Jeffrey Deitch, New York; the 2020 Clay Biennial at Craft Contemporary, Los Angeles; Adams and Ollman, Portland; High Art, Arles; and Matthew Brown, Los Angeles. He is included in the collections of the Museum of Arts and Design, New York, and the Rubell Museum in Miami. Farrag lives and works in Los Angeles.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/fall_catalog_img1%5B23%5D.jpg?itok=F068iMj3" width="1500" height="1000" alt="BMoCA exhibit"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>Time and Attention: MFA Grad Seminar exhibition</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <p><em><strong>Time and Attention</strong></em><span> is a series of ephemeral projects responding to BMoCA as site.&nbsp;Projects include miniature worlds installed in vacated electrical wiring spaces, performances exploring artistic process and the museum, augmented reality drawings, and interactive works inviting viewers to explain themselves without words.&nbsp;</span></p><p><span>MFA students from CU’s Department of Art and Art History developed the work in a graduate seminar, </span><em>Time and Attention</em><span>, taught by Professor Jeanne Quinn and Roser Visiting Artist Julie Poitras Santos.&nbsp;Artists in the exhibition are Abi Bernstein, Maya Buffett-Davis, Ethan Cherry, Annaliese Cole-Weiss, Tenaya DeWitt, and Andrea Garcia Vasquez.&nbsp;</span></p><p><span>Works will be on view on Wednesday, April 23 and Thursday, April 24, with a closing reception from 4-6 on April 24th.</span></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-4" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/placeholder_image_2.jpg?itok=hHI9Wd9a" width="1500" height="1061" alt="Marina Kassianidou"> </div> </div> </div> <div id="feature-article-user-title-4"> <h3> <div>East Window Gallery: MFA Grad Seminar exhibition</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-4"> <div><em><strong>Aspects of Touching</strong></em><br>&nbsp;</div><div>A two-day group exhibition at East Window Gallery in Boulder featuring seven artist’s books completed as part of the Graduate Drawing &amp; Painting Seminar in the Department of Art and Art History at the bet365 malaysia. The seminar&nbsp;revolved around artist’s&nbsp;books and publishing as an artistic practice. We&nbsp;approached the notions of “book” and “publishing” in an open-ended manner by placing them in conversation with other artistic practices.&nbsp;The books presented in the exhibition explore aspects of remembering, preserving, imagining, transforming, translating, scrolling, and assembling.</div><div>&nbsp;</div><div>Artists: Andrea Caretto, Ethan Cherry, Brionna Garcia, Cesar Herrejon, Emily Moyer, Luis E. Perez, Hannah Purvis</div><div>Mentor: Marina Kassianidou</div><div>Location: East Window</div><div>Duration: April 14 - 15, 4:30 - 7:30 pm</div><div><strong>Reception: Tuesday, April 15, 7-9 pm</strong></div><div><a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Feastwindow.org%2F2025&amp;data=05%7C02%7CKirsten.Stoltz%40bet365 malaysia.EDU%7C29e09b224ad1405eaa2d08dd73e3eec4%7C3ded8b1b070d462982e4c0b019f46057%7C1%7C0%7C638794145002490500%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=MvghTsUAeFYDt21Q8v1gWA8qmQ%2Fh76h2sEd%2FsFlvzpU%3D&amp;reserved=0" rel="nofollow">https://eastwindow.org/2025</a></div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Department Announcements</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/File.jpeg?itok=5K8Lvtfw" width="1500" height="1000" alt="FIELD SCHOOL"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Field School</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><strong>Now Enrolling: Art &amp; Environments Field School (ARTS 4444/5444)</strong><br>Field session: May 19-June 6, 2025</p><p><a href="https://www.ruralenvironments.org/" rel="nofollow">LINK TO MORE INFORMATION ABOUT FIELD SCHOOL</a></p><p><span>The Field School is a 6-credit, 6-week intensive field arts program available each summer. The structure is 3-weeks of on-site fieldwork followed by 3-weeks of asynchronous online work and reflection. The program puts students in touch with various landscapes and is focused on teaching site and context-based approaches to art creation. The Field School is designed as an experiential course, meaning that students learn about places and context through being in the field and making artwork on-site. While living and working in the field, students create and discuss various art-making approaches with environments such as prairies, forests and waterways. Students may explore many mediums including: writing, photography, sculpture, drawing and video and sound recording.&nbsp;</span></p><p><span>Topics that are discussed and of which students work with in for this course are: nature and process; ecology; conservation; highways and byways; non-urban phenomenology; climate change; borderlands; pastoralism; wayfaring; waterways; pilgrimages; colonialism; ownership and identity; agriculture; idealized and ignored landscapes; and geomorphology. The 2025 session will travel to the San Luis Valley and Western Slope of bet365 malaysia, finishing with an exhibition at the Mountain Research Station near Nederland. Please note this course is off-campus and a signed university waiver and active health insurance is required.</span></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-04/BoulderArtsWeek_PromoImage.png?h=b9117933&amp;itok=f9KpFgUF" alt="Hanna Rose Shell"> </div> <h3> <div>Hanna Rose Shell, Professor, Art &amp; Art History &amp; Cinema Studies and Moving Image Arts</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <div><strong>CLIMAX: Art, Science, History</strong></div><div><strong>National Center for Atmospheric Research</strong></div><div>&nbsp;</div><div>Friday April 11 (2:30pm-4:30pm)</div><div>Saturday April 12 (1pm-4pm)</div><div>&nbsp;</div><div><a href="https://www.bouldercountyarts.org/event/meet-artist-climax-art-science-history-exhibition-national-center-atmospheric-research" rel="nofollow">LINK TO MORE INFORMATION</a><br>&nbsp;</div><div>In the exhibit, historian and artist Hanna Rose Shell has created an exhibition of both historical and contemporary photographs and collages, drawn from extensive archival research and photographic and cinematic study in the field, in the Art-Science Gallery at the Mesa Lab, exploring the legacy of the Climax Observatory. Between 1940 and 1947, the founding director of the National Center for Atmospheric Research, Walter Orr Roberts lived with his family in a small observatory located atop a vast mining operation, near the highest settlement in the continental United States. The Climax Molybdenum Company, which extracted molybdenite ore to create steel alloys for engines and weapons systems, collaborated to establish North America’s first coronagraph, used to study the corona, the gaseous halo around the sun. Today, the location of original Climax High-Altitude Observatory is suspended some hundreds of feet in the air. It dangles as a memory high above the open pit at the center of Climax's current mining operations. Both the historical legacy and present-day reality of the former site of the Climax High Altitude Observatory exemplifies a kind of liminality: between darkness and light; between the reaches of the heavens and the depths of the earth; between the vital energies that prompt scientific discovery, and the potential hazards that accompany the human drive for material extraction.</div> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-04/Anna-Tsouhlarakis-Vins-NH_MACD-24-071_643_SEO.jpg?h=cbdc14ea&amp;itok=f3p51N2Y" alt="Anna Tshoularakis"> </div> <h3> <div>Anna Tsouhlarakis, Assistant Professor, Foundations</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--1"> <p><a href="https://www.si.edu/newsdesk/releases/smithsonian-announces-its-2024-artist-research-fellows" rel="nofollow"><span><strong>2024-2025 Smithsonian Artist Research Fellowship</strong></span></a><br><em><span><strong>Anna Tsouhlarakis (Based in the U.S.): The Strength of Her Shadow</strong></span></em><br><span>At the National Museum of the American Indian and the National Museum of American History, Tsouhlarakis will examine materials relating to Indigenous feminist theory and imagery of Native women—the historic framing of Indigenous femininity and eventual reconstitution of an Indigenous female identity</span></p><p><span><strong>2024-2025 Indigenous Artist Lecture at Rhode Island School of Design</strong></span><br><span>On Tuesday, March 11, Anna Tsouhlarakis gave the <strong>2024-2025 Indigenous Artist Lecture </strong>at Rhode Island School of Design in Providence, RI. RISD’s Center for Social Equity and Inclusion sponsored the public lecture and visiting artist programming.</span></p><p><a href="https://www.usi.edu/new-harmony-gallery-of-contemporary-art/exhibitions/past-exhibitions/archive/2020s/2025/encountering-io-palmer-pavlina-vagioni-anna-tsouhlarakis" rel="nofollow"><span><strong>Encountering</strong></span></a><br><span>New Harmony Gallery of Contemporary Art, University of Southern Indiana proudly presents <strong>Encountering</strong>, a three-person exhibition reflecting on themes of cross-cultural trade, exchange and diasporas from March 1 – April 12, 2025. The exhibit features works by Io Palmer, Pavlina Vagioni and Anna Tsouhlarakis, Encountering explores intersectional identities and cross-cultural frameworks over time: both themes concomitant with the overlapping histories comprising present-day New Harmony, Indiana. Works on view encompass sculpture, collage, assemblage and non-traditional art materials, foregrounding the ways in which approaches to material culture shift over time. Encountering offers timeless yet interconnected perspectives on identity, investigating both the tensions and possibilities existing at global crossroads and the complexities that necessarily result.</span></p><p><a href="https://www.fordfoundation.org/news-and-stories/news-and-press/news/ford-foundation-gallery-presents-reverberations-lineages-in-design-history/" rel="nofollow"><span><strong>Reverberations: Lineages in Design History</strong></span></a><br><span>Anna Tsouhlarakis is part of </span><em><span><strong>Reverberations: Lineages in Design History</strong></span></em><span> at the Ford Foundation Gallery in New York on view from March 14 – May 2, 2025. The exhibition will transform the gallery into an expansive educational space, reimagining design history to feature Indigenous, Black, and People of Color designers and cultural figures. In amplifying these many stories, Reverberations counters the narrative of design tradition as a single dominant line and seeks to undo erasures by reconnecting and rippling out to those who have been silenced, misrepresented, and miscategorized. The featured artworks reflect rich cultural ancestries that reverberate across epochs into futurity. With over fifty artists and designers, the show’s reverberations bring forward and celebrate many voices that have gone unheard.</span></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 08 Apr 2025 19:35:58 +0000 Kirsten Stoltz 1404 at /artandarthistory News, April 1, 2025 /artandarthistory/newsletter/newsletter/news-april-1-2025-0 <span>News, April 1, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-01T11:05:33-06:00" title="Tuesday, April 1, 2025 - 11:05">Tue, 04/01/2025 - 11:05</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Screenshot%202025-03-11%20at%209.51.04%E2%80%AFAM.png?itok=ihYbcMBQ" width="1500" height="839" alt="Daniel Boord and Luis Valdovino"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Tonight! Luis Valdovino and Daniel Boord: Special Screening Event</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div><p><span><strong>A Problem with the GPS</strong></span><br><span><strong>Selected Video Works by&nbsp;Daniel Boord and Luis Valdovino</strong></span></p><p><span><strong>April 1, 2025 at 6:00 p.m.</strong></span><br><span>Visual Arts Complex Auditorium, 1B20</span><br><span>University of bet365 malaysia, Boulder</span></p><p><span>Sponsored by: The Art &amp; Art History Department, The Brakhage Center for Media Arts and The Center for Documentary and Ethnographic Media</span></p><div><div><div><p>Daniel Boord and Luis Valdovino have been collaborating since 1990. Working at the fringes of art, ethnography, and documentary, they have invented their own form for their journeys: part travelogue, part essay, part scrapbook, and part poetry. &nbsp;They favor an open road, wandering through everyday life and feeling their way through cultural histories, visible “in the soil” but rapidly vanishing. F<span>or example, in </span><em>Contigo<span>&nbsp;</span></em><span>we spend a Sunday afternoon in San Antonio listening to a song sung by the son of one of the pioneers of conjunto music. In </span><em>Not Enough Night</em>, <span>past and present converge in Longmont, bet365 malaysia, on the 50th anniversary of Jack Kerouac's </span><em><span>On the Road</span></em><span>,</span><em><span> </span></em><span>as a small 1937 gas station, mentioned in the book, is moved to a new development in the suburbs. </span><em><span>Walter Benjamin at the Dairy Queen</span></em><span> was prompted by the auctioning off of the largest antiquarian bookstore in the United States in Archer City, Texas, where </span><em><span>The</span></em><span> </span><em><span>Last Picture Show</span></em><span> was written and filmed. And in their video S</span><em><span>tandards</span></em><span> they tour the 20th century to bid it farewell.</span></p></div></div></div><p>Their work has been widely exhibited, including at the Centre Georges Pompidou, Paris; La Biennale di Venezia, Venice; Museo Nacional Centro de Arte Reina Sofia, Madrid; the Museum of Modern Art, New York; Oberhausen Film Festival, Oberhausen, Germany; Robert Flaherty Film Seminar; and the Walker Art Center, Minneapolis. They have been nominated twice for a Rockefeller Film/Video/Multimedia Fellowship.</p></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-01%20at%202.05.49%E2%80%AFPM_0.png?itok=RaqXccaD" width="1500" height="453" alt="MFA"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>MFA Thesis Exhibition opens this Friday!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p>Group 1: Spring 2025</p><h4><strong>Andrea Caretto, Sierra Grove, Asa Mease</strong></h4><p>CU Art Museum<br>Exhibition dates: April 5-17, 2025<br>Opening Reception: Friday, April 4, 4-6 PM</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-01/Yamamoto%20Monotype.jpg?itok=HpOdf9oM" width="1500" height="829" alt="Yamamoto artwork"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Koichi Yamamoto: Visiting Artist Lecture Series</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><span><strong>Monday, April 14, 2025 at 4:00 pm</strong></span><br><span>Visual Arts Complex Auditorium (located on the lower-level), RM 1B20</span></p><p>Koichi’s artworks explore themes of the sublime, atmosphere, and fluid mechanics. His practice spans from meticulous copper engravings to large-scale monotypes with a recent focus on kite-makings.</p><p>His works has been showcased in more than 150 solo and group exhibitions. Most recently, at prestigious venues such as Fondazione Pastificio Cerere in Rome, Italy; B.J. Spoke Gallery in Huntington, New York; Woolwich Contemporary Print Fair in London, United Kingdom; Gallery Shoal Creek in Austin, Texas; Manifest Gallery in Cincinnati, Ohio; and Cartavetra Gallery in Florence, Italy. His artworks have been featured in prominent publications, including Actuel no. 27: L'Estampe Contemporaine in Jodoigne, Belgium; Kunst + Unterricht in München, Germany.</p><p>Koichi studied at the Pacific Northwest College of Art in Portland, Oregon, then moved to Krakow, Poland, and later to the Bratislava Academy of Fine Arts in Slovakia to study copper engravings. He completed his MFA at the University of Alberta, Canada in 1999. He is currently a professor at the University of Tennessee in Knoxville.&nbsp;</p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 01 Apr 2025 17:05:33 +0000 Kirsten Stoltz 1403 at /artandarthistory News, April 1, 2025 /artandarthistory/newsletter/newsletter/news-april-1-2025 <span>News, April 1, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-04-01T11:05:33-06:00" title="Tuesday, April 1, 2025 - 11:05">Tue, 04/01/2025 - 11:05</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Screenshot%202025-03-11%20at%209.51.04%E2%80%AFAM.png?itok=ihYbcMBQ" width="1500" height="839" alt="Daniel Boord and Luis Valdovino"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Tonight! Luis Valdovino and Daniel Boord: Special Screening Event</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <div><p><span><strong>A Problem with the GPS</strong></span><br><span><strong>Selected Video Works by&nbsp;Daniel Boord and Luis Valdovino</strong></span></p><p><span><strong>April 1, 2025 at 6:00 p.m.</strong></span><br><span>Visual Arts Complex Auditorium, 1B20</span><br><span>University of bet365 malaysia, Boulder</span></p><p><span>Sponsored by: The Art &amp; Art History Department, The Brakhage Center for Media Arts and The Center for Documentary and Ethnographic Media</span></p><div><div><div><p>Daniel Boord and Luis Valdovino have been collaborating since 1990. Working at the fringes of art, ethnography, and documentary, they have invented their own form for their journeys: part travelogue, part essay, part scrapbook, and part poetry. &nbsp;They favor an open road, wandering through everyday life and feeling their way through cultural histories, visible “in the soil” but rapidly vanishing. F<span>or example, in </span><em>Contigo<span>&nbsp;</span></em><span>we spend a Sunday afternoon in San Antonio listening to a song sung by the son of one of the pioneers of conjunto music. In </span><em>Not Enough Night</em>, <span>past and present converge in Longmont, bet365 malaysia, on the 50th anniversary of Jack Kerouac's </span><em><span>On the Road</span></em><span>,</span><em><span> </span></em><span>as a small 1937 gas station, mentioned in the book, is moved to a new development in the suburbs. </span><em><span>Walter Benjamin at the Dairy Queen</span></em><span> was prompted by the auctioning off of the largest antiquarian bookstore in the United States in Archer City, Texas, where </span><em><span>The</span></em><span> </span><em><span>Last Picture Show</span></em><span> was written and filmed. And in their video S</span><em><span>tandards</span></em><span> they tour the 20th century to bid it farewell.</span></p></div></div></div><p>Their work has been widely exhibited, including at the Centre Georges Pompidou, Paris; La Biennale di Venezia, Venice; Museo Nacional Centro de Arte Reina Sofia, Madrid; the Museum of Modern Art, New York; Oberhausen Film Festival, Oberhausen, Germany; Robert Flaherty Film Seminar; and the Walker Art Center, Minneapolis. They have been nominated twice for a Rockefeller Film/Video/Multimedia Fellowship.</p></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-04/Screenshot%202025-04-01%20at%2011.57.06%E2%80%AFAM.png?itok=FBeQ4NVp" width="1500" height="401" alt="MFA round 1"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>MFA Thesis Exhibition (round 1) opens this Friday</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <div><p>Spring 2025</p><h4><strong>Andrea Caretto, Sierra Grove, Asa Mease</strong></h4><p>CU Art Museum<br>Exhibition dates: April 5-17, 2025<br>Opening Reception: Friday, April 4, 4-6 PM</p></div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 01 Apr 2025 17:05:33 +0000 Kirsten Stoltz 1402 at /artandarthistory News, March 18, 2025 /artandarthistory/newsletter/newsletter/news-march-18-2025 <span>News, March 18, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-03-18T08:51:11-06:00" title="Tuesday, March 18, 2025 - 08:51">Tue, 03/18/2025 - 08:51</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Screenshot%202025-03-11%20at%209.51.04%E2%80%AFAM.png?itok=ihYbcMBQ" width="1500" height="839" alt="Daniel Boord and Luis Valdovino"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Luis Valdovino and Daniel Boord: Special Screening Event</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span><strong>A Problem with the GPS</strong></span><br><span><strong>Selected Video Works by&nbsp;Daniel Boord and Luis Valdovino</strong></span></p><p><span><strong>April 1, 2025 at 6:00 p.m.</strong></span><br><span>Visual Arts Complex Auditorium, 1B20</span><br><span>University of bet365 malaysia, Boulder</span></p><p><span>Sponsored by: The Art &amp; Art History Department, The Brakhage Center for Media Arts and The Center for Documentary and Ethnographic Media</span></p><div><div><div><p>Daniel Boord and Luis Valdovino have been collaborating since 1990. Working at the fringes of art, ethnography, and documentary, they have invented their own form for their journeys: part travelogue, part essay, part scrapbook, and part poetry. &nbsp;They favor an open road, wandering through everyday life and feeling their way through cultural histories, visible “in the soil” but rapidly vanishing. F<span>or example, in </span><em>Contigo<span>&nbsp;</span></em><span>we spend a Sunday afternoon in San Antonio listening to a song sung by the son of one of the pioneers of conjunto music. In </span><em>Not Enough Night</em>, <span>past and present converge in Longmont, bet365 malaysia, on the 50th anniversary of Jack Kerouac's </span><em><span>On the Road</span></em><span>,</span><em><span> </span></em><span>as a small 1937 gas station, mentioned in the book, is moved to a new development in the suburbs. </span><em><span>Walter Benjamin at the Dairy Queen</span></em><span> was prompted by the auctioning off of the largest antiquarian bookstore in the United States in Archer City, Texas, where </span><em><span>The</span></em><span> </span><em><span>Last Picture Show</span></em><span> was written and filmed. And in their video S</span><em><span>tandards</span></em><span> they tour the 20th century to bid it farewell.</span></p></div></div></div><p>Their work has been widely exhibited, including at the Centre Georges Pompidou, Paris; La Biennale di Venezia, Venice; Museo Nacional Centro de Arte Reina Sofia, Madrid; the Museum of Modern Art, New York; Oberhausen Film Festival, Oberhausen, Germany; Robert Flaherty Film Seminar; and the Walker Art Center, Minneapolis. They have been nominated twice for a Rockefeller Film/Video/Multimedia Fellowship.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-01/01johanson6-vhgq-superJumbo.jpeg?itok=u4X8qxbS" width="1500" height="1086" alt="Patricia Johanson"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Visiting Artist Lecture Series: Emily Brady</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><strong>After spring break — Mark your calendar!</strong></p><p><span><strong>Monday, March 31, 2025 4pm to 5pm</strong></span><br><span><strong>Visual Arts Complex, Auditorium - 1B20 (lower level)</strong></span></p><hr><p><em><strong>Lecture: Environmental Art as Commoning and Resistance: Aesthetics, Ecology, and Community</strong></em></p><p>Emily Brady is Professor of Philosophy at Texas A&amp;M University. Her research and teaching interests span aesthetics and philosophy of art, environmental ethics, eighteenth-century philosophy, environmental humanities, and animal studies. She has published seven books as author, co-author, or editor, including,&nbsp;<em>Between Nature and Culture: The Aesthetics of Modified Environments&nbsp;</em>(co-authored with Isis Brook and Jonathan Prior, Rowman and Littlefield International, 2018) and&nbsp;<em>The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature</em>&nbsp;(Cambridge University Press, 2013).</p><p class="small-text">Image: Patricia Johanson, Ellis Creek Water Recycling Facility, Petaluma, CA</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Screenshot%202025-03-18%20at%209.49.25%E2%80%AFAM.png?itok=hmr5AxuK" width="1500" height="1150" alt="Asa Mease artwork"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>MFA Thesis Exhibition: Group 1</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p>Spring 2025</p><p><strong>Andrea Caretto, Sierra Grove, Asa Mease</strong></p><p>CU Art Museum<br>Exhibition dates: April 5-17, 2025<br>Opening Reception: Friday, April 4, 4-6 PM</p><p class="small-text">(Image: Asa Mease)</p><hr><p>Group 2</p><p><strong>Emily Moyer, </strong><span><strong>Ana González Barragán, Alejandra Saldivar, Hannah Purvis</strong></span></p><p><span>CU Art Museum</span><br><span>Exhibition Dates: April 26-May 10, 2025</span><br><span>Opening reception: Friday, April 25th from 4-6 PM</span></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="row row-content"> <div class=" col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-03/Screenshot%202025-03-18%20at%209.40.23%E2%80%AFAM.png?h=ba069674&amp;itok=VxsoEfIg" alt="RELEASECherie Hiser, Untitled (Students Taking Selfies at Center of the Eye), ca. 1970."> </div> <div class="article-summary" id="teaser-article-summary-user-text--0"> <p><em><strong>Outside Influence: Photography in bet365 malaysia 1945–1995&nbsp;</strong></em><br>Curated by Rupert Jenkins<span>&nbsp;</span></p><p>March 13 – April 27, 2025&nbsp;<br>Location: Vicki Myhren Gallery, Shwayder Art Building, 2121 E. Asbury Ave., Un versity of Denver<br>Gallery Hours: 12:00-5:00 PM, Tuesday–Sunday Admission: Free and open to the public<span>&nbsp;</span></p><p><a href="https://live-du-vicki-myhren-gallery.pantheonsite.io/outside-influence-2/" rel="nofollow"><span>Link to more information</span></a></p><p>Featuring works by:<br>Professor Albert Chong<span>&nbsp;</span><br><span>Melanie Walker, Professor Emerita</span></p><p>Jenkins’ exhibition brings together more than 130 works by 60 artists working across media such as print photography, video, installation, and ephemera. <em>Outside Influence </em>traces the state’s history of fine art photography from the end of the Second World War to the cusp of the 21st century. The show’s title acknowledges landscape’s prominence as a subject for photographers in bet365 malaysia and alludes to the influx of artists and educators whose arrival expanded the state’s demographics and photographic practice. This exhibition highlights the rich history of creative photography in bet365 malaysia, challenging longstanding regional biases that have overshadowed the medium and its artists in favor of more traditionally celebrated artforms.&nbsp;</p> </div> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Department Announcements</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-user-title-0"> <h3> <div>Art &amp; Environments Field School: Summer 2025</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p>Informational Meetings:</p><ul><li>Tuesday, March 18th, 11:30 AM (TODAY!)</li><li>Wednesday, April 2nd, 11:45 AM</li></ul><p>Field Session: May 19th-June 6th<br>ARTS 444/5444 | &nbsp;6 Credits</p> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 18 Mar 2025 14:51:11 +0000 Kirsten Stoltz 1401 at /artandarthistory News, March 11, 2025 /artandarthistory/newsletter/newsletter/news-march-11-2025 <span>News, March 11, 2025</span> <span><span>Kirsten Stoltz</span></span> <span><time datetime="2025-03-11T08:57:38-06:00" title="Tuesday, March 11, 2025 - 08:57">Tue, 03/11/2025 - 08:57</time> </span> Art &amp;amp; Art History News <div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Upcoming Events</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/thumbnail_Image%203-10-25%20at%209.35%E2%80%AFAM.jpg?itok=tRI9eZUE" width="1500" height="1686" alt="Laura Shill artwork"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>DEI Mentorship Event</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><strong>Tomorrow! </strong><span><strong>The DEI Mentorship Program invites you to our event from 5-7 on Wednesday March 12.</strong></span></p><p><span>We will be visiting the studio of </span><a href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.lauraleeshill.com%2F&amp;data=05%7C02%7CKirsten.Stoltz%40bet365 malaysia.EDU%7C408d901b71a8463c59c708dd5fe950db%7C3ded8b1b070d462982e4c0b019f46057%7C1%7C0%7C638772177881433284%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=Wm8DRZEjuX8wb7gsI5TDI9CONnmYkT15e1P7VgJyJeg%3D&amp;reserved=0" rel="nofollow"><span>Laura&nbsp;Shill</span></a><span>, (MFA, IMAP)&nbsp; in the Zuni Park area of Denver.&nbsp; Laura’s work was recently featured in the exhibition </span><em><span>Movements Toward Freedom</span></em><span> at the MCA Denver; she has exhibited her work nationally and internationally.</span></p><p><span>Besides getting to see Laura’s work and studio, she has invited us to join in her karaoke practice in her studio, and to join her in a performance piece at Zuni Park.&nbsp;&nbsp;</span></p><p><span>Space is limited; please register </span><a href="https://docs.google.com/forms/d/e/1FAIpQLScXsC9f4Df4gU7GeFtcUSbeDY7SCTVZhRxermYnGi-b45wejw/viewform" rel="nofollow"><em><span>here.</span></em></a></p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-1" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Walls-MS_1984-Baldwin-Lee.jpg?itok=BxfFmZB1" width="1500" height="1192" alt="Baldwin Lee"> </div> </div> </div> <div id="feature-article-user-title-1"> <h3> <div>Visiting Artist Lecture Series: Baldwin Lee</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><span><strong>Monday, March 17, 2025 4pm to 5pm</strong></span><br><span><strong>Visual Arts Complex, Auditorium - 1B20 (lower level)</strong></span></p><p><span>In 1983, Baldwin Lee (b. 1951) left his home in Knoxville, Tennessee, with his 4 × 5 view camera and set out on the first of a series of road trips to photograph the American South. The subject of his pictures were Black Americans: at home, at work, and at play, in the street, and among nature. This project would consume Lee—a first-generation Chinese American—for the remainder of that decade, and it would forever transform his perception of his country, its people, and himself. The resulting archive contains nearly ten thousand black-and-white negatives.</span></p><p>He has had solo exhibitions at the Chrysler Museum of Art and the Museum of Contemporary Art of Georgia, and received a Guggenheim Fellowship.His work is held in many private and public collections including the Museum of Modern Art in New York, Yale University Art Gallery, and the National Gallery of Art in Washington, DC.</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-2" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-01/01johanson6-vhgq-superJumbo.jpeg?itok=u4X8qxbS" width="1500" height="1086" alt="Patricia Johanson"> </div> </div> </div> <div id="feature-article-user-title-2"> <h3> <div>Visiting Artist Lecture Series: Emily Brady</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-2"> <p><strong>After spring break — Mark your calendar!</strong></p><p><span><strong>Monday, March 31, 2025 4pm to 5pm</strong></span><br><span><strong>Visual Arts Complex, Auditorium - 1B20 (lower level)</strong></span></p><hr><p><em><strong>Lecture: Environmental Art as Commoning and Resistance: Aesthetics, Ecology, and Community</strong></em></p><p>Emily Brady is Professor of Philosophy at Texas A&amp;M University. Her research and teaching interests span aesthetics and philosophy of art, environmental ethics, eighteenth-century philosophy, environmental humanities, and animal studies. She has published seven books as author, co-author, or editor, including,&nbsp;<em>Between Nature and Culture: The Aesthetics of Modified Environments&nbsp;</em>(co-authored with Isis Brook and Jonathan Prior, Rowman and Littlefield International, 2018) and&nbsp;<em>The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature</em>&nbsp;(Cambridge University Press, 2013).</p><p class="small-text">Image: Patricia Johanson, Ellis Creek Water Recycling Facility, Petaluma, CA</p> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-3" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Screenshot%202025-03-11%20at%209.30.57%E2%80%AFAM.png?itok=WEpDEVYu" width="1500" height="831" alt="gallery view"> </div> </div> </div> <div id="feature-article-user-title-3"> <h3> <div>Lecture by Dr. Peter Rehberg: "When Trans and Gay Cis Men Meet"</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-3"> <div><span><strong>Thursday, March 13 at 5:30 in McKenna 112</strong></span><br>“When Trans and Gay Cis Men Meet: Trans Capacity in the Pictures of German Photographer Florian Hetz,” a lecture by Dr. Peter Rehberg, DAAD Associate Professor, the University of Cincinnati, and Former Head of Collections and Archives at the Schwules Museum in Berlin.</div><div>&nbsp;</div><div>The lecture is co-sponsored by the Department of Art and Art History, the LGBT Certificate Program, and the Department of Germanic and Slavic Languages and Literatures, with support from the Arts and Sciences Fund for Excellence.</div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-user-title-4"> <h3> <div>MFA Thesis Exhibition: Group 1</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-4"> <p>Spring MFA Thesis Exhibition, 2025</p><h4>Andrea Caretto, Sierra Grove, Asa Mease</h4><p>CU Art Museum<br>Exhibition dates: April 5-17, 2025<br>Opening Reception: Friday, April 4, 4-6 PM</p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Faculty News</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/Screenshot%202025-03-11%20at%209.51.04%E2%80%AFAM.png?itok=ihYbcMBQ" width="1500" height="839" alt="Daniel Boord and Luis Valdovino"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>Luis Valdovino and Daniel Boord: Special Screening Event</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><span><strong>A Problem with the GPS</strong></span><br><span><strong>Selected Video Works by&nbsp;Daniel Boord and Luis Valdovino</strong></span></p><p><span><strong>Visual Arts Complex Auditorium 1B20, University of bet365 malaysia, Boulder</strong></span><br><span><strong>April 1, 2025 at 6:00 p.m.</strong></span></p><p><span>Sponsored by: The Art &amp; Art History Department, The Brakhage Center for Media Arts and The Center for Documentary and Ethnographic Media</span></p><div><div><div><p>Daniel Boord and Luis Valdovino have been collaborating since 1990. Working at the fringes of art, ethnography, and documentary, they have invented their own form for their journeys: part travelogue, part essay, part scrapbook, and part poetry. &nbsp;They favor an open road, wandering through everyday life and feeling their way through cultural histories, visible “in the soil” but rapidly vanishing. F<span>or example, in </span><em>Contigo<span>&nbsp;</span></em><span>we spend a Sunday afternoon in San Antonio listening to a song sung by the son of one of the pioneers of conjunto music. In </span><em>Not Enough Night</em>, <span>past and present converge in Longmont, bet365 malaysia, on the 50th anniversary of Jack Kerouac's </span><em><span>On the Road</span></em><span>,</span><em><span> </span></em><span>as a small 1937 gas station, mentioned in the book, is moved to a new development in the suburbs. </span><em><span>Walter Benjamin at the Dairy Queen</span></em><span> was prompted by the auctioning off of the largest antiquarian bookstore in the United States in Archer City, Texas, where </span><em><span>The</span></em><span> </span><em><span>Last Picture Show</span></em><span> was written and filmed. And in their video S</span><em><span>tandards</span></em><span> they tour the 20th century to bid it farewell.</span></p></div></div></div><p>Their work has been widely exhibited, including at the Centre Georges Pompidou, Paris; La Biennale di Venezia, Venice; Museo Nacional Centro de Arte Reina Sofia, Madrid; the Museum of Modern Art, New York; Oberhausen Film Festival, Oberhausen, Germany; Robert Flaherty Film Seminar; and the Walker Art Center, Minneapolis. They have been nominated twice for a Rockefeller Film/Video/Multimedia Fellowship.</p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Department Announcements</div> </h2> <div class="ucb-newsletter-section-article "> <div id="feature-article-media-img-0" class="feature-article-img"> <div> <div class="imageMediaStyle large_image_style"> <img loading="lazy" src="/artandarthistory/sites/default/files/styles/large_image_style/public/2025-03/IMG_9700.jpg?itok=jMP12Hb2" width="1500" height="1000" alt="King Exhibition &amp; Awards 2025"> </div> </div> </div> <div id="feature-article-user-title-0"> <h3> <div>King Exhibition &amp; Awards 2025</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-0"> <p><strong>Congratulations to our 2025 Art &amp; Art History Student Awardees!</strong></p><p><a href="/artandarthistory/king-exhibition-and-awards-2025" rel="nofollow">Link to the 2025 Exhibition &amp; Award Details</a></p><div class="row ucb-column-container"><div class="col ucb-column"><p><span><strong>Graduates:</strong></span><br><span>1st place: Ana González Barragán&nbsp;</span><br><span>2nd place: Ethan Cherry</span><br><span>3rd place: Devon Narine-Singh</span><br><span>Honorable mention: Maya Buffett-Davis, Ben Grossi</span></p></div><div class="col ucb-column"><p><span><strong>Undergraduates:</strong></span><br><span>1st place: Jane Strode</span><br><span>2nd place: Nicole Sansglyph</span><br><span>3rd place: Riley Ramsay</span><br><span>Honorable mention: Rebecca Nagel, Iris Yu</span></p></div></div> </div> </div> <div class="ucb-newsletter-section-article "> <div id="feature-article-user-title-1"> <h3> <div>AAH Students! March 15th Deadline!</div> </h3> </div> <div class="article-summary" id="feature-article-summary-user-text-1"> <p><strong>The Bachelor of Fine Arts Degree Program</strong><br><strong>Application Deadline: </strong><span><strong>March 15, 2025</strong></span></p><p><span>The Bachelor of Fine Arts (BFA) in Art Practices provides focused and intensive studio art training. This specialized degree allows students to take a greater number of courses within the Art &amp; Art History Department. The BFA program offers advanced studio study to a select group of highly motivated and talented students. Admission is limited and based on a rigorous portfolio review, academic record, and demonstrated motivation. Students may choose to concentrate in a single studio area or develop an interdisciplinary focus, combining two or three studio disciplines. This degree is designed for individuals who aspire to build a strong professional portfolio, pursue graduate studies, embark on a career in the arts, or teach at the college level.</span></p><p><a href="https://click.com.cu.edu/?qs=a1294e394b9bf1bf57f5c227f00ed0a29f028c10eab0842225455e762e8a7ba0b9d2066b4037b05e996fb4a954ceb9bdea8bad5175807403" rel="nofollow"><span>Link to more information and the BFA application</span></a></p><p><span>Visit the </span><a href="https://click.com.cu.edu/?qs=a1294e394b9bf1bf83f1a5100e6366529e6b067ec9bd52a6d9c882346f33b2ea0a7819dae3ae6cc9753596aeb873cd743bfb1afa4858c9cf" rel="nofollow"><span>Visual Resources Center</span></a><span> for more information about photographing your work, digital image editing and formatting, and managing your digital portfolio for long-term viability.</span></p><p>Questions? Contact Jean Goldstein, <a href="mailto:finearts@colorado.edu" rel="nofollow">finearts@colorado.edu</a> or drop by Art &amp; Art History's main office, 303.</p><hr><p><strong>Art &amp; Art History Scholarships</strong><br><strong>Application Deadline:&nbsp;March 15, 2025</strong></p><p>The Department of Art and Art History offers merit-based awards for undergraduate and graduate students that are made possible through the generosity of our donors. Typically, the funds associated with these awards defray tuition expenses and are posted to the student's bill. A faculty committee reviews the applications each spring semester and determines the number and amount of awards. Scholarships vary from $100 – $2,000.</p><p>Questions? Please contact Katie Larson:&nbsp;<a href="mailto:katie.larson@colorado.edu" rel="nofollow">katie.larson@colorado.edu</a></p><p><strong>Eligibility &amp; Rules</strong></p><ul><li>Undergraduate students: Majors and BAM students in Art History or Arts Practices, may apply</li><li>Graduate students: MFA and MA students</li><li>Students must be currently enrolled in Art and Art History courses</li><li>Post acceptance thank you required for distribution of scholarship funds</li></ul><p><a href="https://click.com.cu.edu/?qs=a1294e394b9bf1bf6df80b6a87742efb4597ff39d08ea5540f02214a2000b9730f6476150b8acf7ab92555a1e77aa576285a5a2101ad8eee" rel="nofollow"><span>Link to Application &amp; more information</span></a></p> </div> </div> </div> </div> <div> <div class="paragraph paragraph--type--newsletter-section paragraph--view-mode--default"> <h2> <div>Campus News &amp; Events</div> </h2> <div class="row row-content"> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-03/Screenshot%202025-03-11%20at%2010.01.38%E2%80%AFAM.png?h=10364de0&amp;itok=FRRCEK2g" alt="Lakota Nation"> </div> <h3> <div>Lakota Nation versus the United States (2022). Film Screening</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--0"> <div><strong>Date: Thursday, March 13, 2025 from 11:00 AM - 2:00 PM</strong></div><div>Screening Time: 11:00 -1:00 and Roundtable Time discussion: &nbsp;1:00- 2:00 pm</div><div>Speakers: Jesse Short Bull &amp; Laura Tomaselli (directors) with Milo Salazar (AILP), Leila Gómez (WGST)</div><div>&nbsp;</div><div><strong>Description: </strong>Please join us for the screening of the multiple-award-winning film Lakota Nation versus the United States (2022) and conversation afterward with the film’s directors, Laura Tomaselli and Jesse Short Bull. The movie will draw you into the long history of resistance by the Lakota people and their fight against the US federal government for their land and sacred Black Hills. The documentary incorporates testimonies of elders and members of the Lakota nation, along with songs, poetry, movie clips, legal research, archives and memories. Through captivating cinematography and profound stories, the film shows how land and people are inextricably connected.</div><div>&nbsp;</div><div><em>Food &amp; Beverages will be served - Event free and open to the public</em></div><div>&nbsp;</div><div>This event is sponsored by the RIO Seed Grant Project “Indigenous Documentaries &amp; Land Struggle”, The Center for Native American and Indigenous Studies, The American Indian Law Program, and Women and Gender Studies.</div> </div> </div> <div class="col-lg-6 col-12 pb-4"> <div class="teaser-article-img px-2"> <img src="/artandarthistory/sites/default/files/styles/focal_image_square/public/2025-03/CU%20Art%20Museum%20Gallery-March%202025-1_0.jpg?h=d1cb525d&amp;itok=mfIg7DnH" alt="CU Art Museum installation"> </div> <h3> <div>CU Art Museum Exhibition</div> </h3> <div class="article-summary" id="teaser-article-summary-user-text--1"> <p><a href="/cha/COVID-5YearsLater" rel="nofollow"><span><strong>COVID 5 Years Later: A Conversation</strong></span></a><br><span>Thursday, March 13, 2025 | 4–6 PM | CU Art Museum | Treats provided</span></p><p><span>Join the CU Art Museum and the Center for Humanities &amp; the Arts (CHA) for a panel discussion reflecting on the personal and collective experiences of COVID-19. This event marks the 5th anniversary of CU Boulder’s campus closure due to the pandemic and is inspired by the </span><a href="/cuartmuseum/exhibitions/upcoming/better-days" rel="nofollow"><em><span>Better Days</span></em></a><span> exhibition, which explores how art helps us navigate uncertainty, heal, and reimagine the world. Attendees will have the opportunity to share their own reflections on the pandemic through provided response cards.</span></p><p><span>RSVP Here: </span><a href="/cha/COVID-5YearsLater" rel="nofollow"><span>www.colorado.edu/cha/COVID-5YearsLater</span></a></p> </div> </div> </div> </div> </div> </div> <div class="col-lg-6 col-12"> </div> Tue, 11 Mar 2025 14:57:38 +0000 Kirsten Stoltz 1400 at /artandarthistory